Somonewhomissedherowngeneration from Mi"The famous bridge in this song, where Seger strips it down and sings "I woke last night to the sound of thunder,".Each ended up selling 5 million copies.Īs for the "Night Moves" single, it rose to #4 in March 1977, making the heartland rocker a national name. For the rest of the year and most of 1977, both albums were on the chart. When the Night Moves album entered the chart at #84 on November 13, Live Bullet was hanging around at #159. Night Moves was released in October 1976, with the title track issued as the lead single. It quickly found a following and outsold every other Seger album. A big break came in April 1976 when his label, Capitol, seeing the success of Peter Frampton's Frampton Comes Alive, issued a Seger live album, Live Bullet, recorded at two of his Detroit concerts in 1975. He had been Michigan famous ever since his first album in 1969, which had the solid hit "Ramblin' Gamblin' Man." That song went to #17 on the Hot 100, but over the next few years, he struggled to make a national impact. "Night Moves" was a breakthrough hit for Seger, introducing the heartland rocker to a much wider audience. It's also the only track on Night Moves with female backing vocals, which were provided by Laurel Ward, Rhonda Silver and Sharon Dee Williams, a trio from Montreal that happened to be in town. Seger's guitarist and sax player returned to Detroit, but the rest of the crew kept working on a very stubborn song Seger had been toiling over: "Night Moves." When it started to come together, Richardson brought in the local guitarist Joe Miquelon and organist Doug Riley to play on the track along with Seger and two members of his band: bass player Chris Campbell and drummer Charlie Allen Martin. They quickly recorded three songs that weren't that memorable. They needed one more for the album, so Seger's manager booked three days at Nimbus Nine Studios in Toronto with producer Jack Richardson. And, again, she makes a decision with her ending that will frustrate some with its ambiguity but thrill those willing to accept her desire to work more in ellipses than periods.Four songs on the Night Moves album were recorded at Muscle Shoals Sound Studios in Alabama with the Muscle Shoals Rhythm Section, and another four at Pampa Studios in Detroit with Seger's Silver Bullet Band. In “Night Moves,” as in all of Reichardt’s films, it is not just the incident that matters but its build-up and follow-through. A key one in the final act is shot with close-ups of eyes and feet. What will be the downfall of this trio? Will it be the aforementioned fertilizer scene? Will it be one of the people that they seem to always inadvertently run into as their plan materializes? Will one of the three leads destroy their plan or betray the other two? As one might expect who knows Reichardt’s films, the director avoids easy thriller clichés or even answers. Reichardt builds tension through the cumulative impact of seemingly minor moments. In between, we have the lovely Dena, closer to Harmon in her willingness to work with what she’s given, such as in a masterfully tense scene involving the purchase of fertilizer, but clearly drawn to the brooding, purposeful Josh. Josh is the one who needs every detail to fall into place Harmon is the one who rolls with the punches. As is the fact that Harmon knows the guy from his time behind bars, which he failed to disclose. Sure, the waiter who recognizes him during part of their journey could be a problem. Harmon, as perfectly captured by Sarsgaard in what ends up being a disappointingly small role, is more able to adapt to the situation. Eisenberg and Reichardt sketch him too organically to call him calculated but Josh is definitely the most deliberate of the three terrorists. As played by Eisenberg with more subdued detachment than usual (and perhaps more than the part called for, especially in the final act), Josh is a deliberate, patient terrorist. And that they're going to take action.Īs with all of Reichardt’s films, it’s more about the journey than the destination. These are people who have had enough and feel that protests are no longer getting the attention their issues demand. Reichardt and her writing partner Jon Raymond don’t weigh their narrative down with political rants or environmental messages. The first half of Reichardt’s delicately timed narrative sees the planning of the event the second details the inevitable fallout. Josh ( Jesse Eisenberg), Dena ( Dakota Fanning), and Harmon ( Peter Sarsgaard) are going to blow up a dam. “Night Moves” is about three people itching to make a statement in a world in which technology has overtaken agriculture.
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